Archaeology, Ethnology & Anthropology of Eurasia 48 (4) 2020   DOI: 10.17746/1563-0110.2020.48.4.125-134

Annotation:  Early Middle Paleolithic Industries in Southeastern Dagestan Middle Paleolithic Bone Retouchers: Size or Proportions Shulbinka Paleolithic Site, Eastern Kazakhstan, Revisited Con Moong Cave: A Stratifi ed Late Pleistocene and Early Holocene Site in Northern Vietnam Novopetrovka III—an Early Neolithic Site in the Western Amur Basin and Its Chronology Peculiarities of Using 2D Electrical Resistivity Tomography in Caves Elk Figurine from Tourist-2, Novosibirsk: Technological and Stylistic Features Foundries at Stary Tartas-5—an Early Bronze Age Site in the Baraba Forest-Steppe Wells as a Source of Cultural and Chronological Information: The Case of Kamennyi Ambar, Southern Tr Mobility of the Suzdal Opolye Settlers in 900–1150 AD Descendants of Eleudei: The Problem of Oirat-Buryat Ethnic Contacts Floral Designs on Sacrifi cial Towels from an Old Believers’ Prayer House The Origin of the Okunev Population, Southern Siberia: The Evidence of Physical Anthropology and Gen The Paleogenetic Study of Bertek-33, an Afanasyevo Cemetery on the Ukok Plateau, the Altai Mountains   

Floral Designs on Sacrificial Towels
from an Old Believers’ Prayer House

E.F. Fursova¹ and M.V. Vasekha²

¹Institute of Archaeology and Ethnography, Siberian Branch, Russian Academy of Sciences, Pr. Akademika Lavrentieva 17, Novosibirsk, 630090, Russia

²Institute of Ethnology and Anthropology, Russian Academy of Sciences, Leninsky pr. 32A, Moscow, 119334, Russia

We reconstruct the semantics of floral compositions on commemorative towels, embroidered by women, members of the Old Believers Bespopovtsy (priestless worship community rejecting marriage) in Novosibirsk. The original vine motif, associated with the funerary cult, was transformed by replacing vines with more familiar motifs, such as flowers, berries, buds, etc. Certain designs resemble those found in late 19th to early 20th century embroidery manuals and on wrappers of cheap soap manufactured by Rallet, Brocard, etc. In most cases, however, there are no exact parallels. Some floral compositions are original: for instance, those showing vases with scrolls reminiscent of Jesus Christ’s monogram, and “vases" turned into letters on Our Savior’s icons. The results of the technological and stylistic analyses suggest that most sacrificial towels were made in the late 1800s and early 1900s, some in the 1940s and 1950s, and some may have been manufactured in places of the Old Believers ’former residence in northern and central Russia. Designs arranged in friezes or central figures, such as crosses, cruciate motifs, “vases", or “vaults", allude to the Old Believers ’fundamental values. Ritual towels evidence motifs on commercial embroideries creatively transformed by Old Believers according to their beliefs and traditions.

Keywords: Floral design, sacrificial towels, Russian Old Believers, Priestless Old Belief, Western Siberia